در اين مطلب، بر روي هفت هنرمند آمريکايي آسياي شرقي و نحوه برخورد آنها با رسانه‌اي مملو از مفاهيم اجتناب‌ناپذير مرتبط با آسياي شرقي و آسيايي تمرکز مي‌کنيم.
به گزارش گالري آنلاين، در کتاب کتاب تزئيني 2018 Anne Anlin Cheng آمده است، ظرف چيني در تخيل غربي حضوري بي‌نظير داشته و در توليدات هنري چين اهميت دارد. تحقير آن را مي توان با کاهش ارزش نيروي کار و مردم چين مرتبط کرد. اين ماده اي است که داراي سنت غني و تاريخ استعماري لايه اي است. اين را مي توان به سراميک در کل و ارتباط آن با شرق آسيا نيز تعميم داد.
هنرمندان اين مجموعه شامل هنرمندان خودآموخته و همچنين اساتيد هنر سراميک است که هر کدام مسير خاص خود را در پيش گرفته اند.
Amia Yokoyama, In the soft darkness, 2022. Courtesy of the artist and Sebastian Gladstone
Cathy Lu, American Dream Pillow, Green Beauty Mask, 2020. Courtesy of the artist and Chinese Culture Center of San Francisco
Cathy Lu, installation view of Peripheral Visions, 2022, in “Interior Garden” at the Chinese Culture Center of San Francisco, 2022. Photo by Aaron Stark. Courtesy of the Chinese Culture Center of San Francisco.
Cathy Lu, installation view of Red-White-Blue, 2019. Courtesy of the artist
Steven Young Lee
Vase with Yellow Glaze and Lobed Rim, 2020
Duane Reed Gallery
US$9,600
Steven Young Lee
Jar with Double Dragons, 2022
Duane Reed Gallery
US$9,800
Charlie Mai, Dad, I am no child, I am the moment (“Whether it’s through retribution or indebtedness,”), 2020. Courtesy of the artist
Charlie Mai, Papa (Gauge Depth Before Jumping), 2020. Courtesy of the artist
Charlie Mai, Good Sci Fi (Like Mint Floss Through Wedding Cake), 2020. Courtesy of the artist
Candice Lin, installation view of La Charada China, 2018, in “Made in L.A.” at the Hammer Museum, 2018. Photo by Ian Byers-Gamber. Courtesy of the artist, Hammer Museum, and François Ghebaly Gallery
Candice Lin
Untitled, 2021
Eli Klein Gallery
Price on request
Candice Lin
Witness (Blue Version), 2019
François Ghebaly
Sold
Candice Lin
Bridal Scold (Animal), 2019
François Ghebaly
Price on request
Candice Lin, installation view of “A Hard White Body” at Bétonsalon, 2017.
Photo by Aurélien Mole. Courtesy of the artist, Bétonsalon, and François Ghebaly Gallery
Heidi Lau, installation view of Receptor, 2022, in “Gardens as Cosmic Terrains” at Green-Wood Cemetery, 2022.
Photo by Lance Brewer. Courtesy of the artist and Matthew Brown
Heidi Lau, installation view of Yearning, 2022, in “Gardens as Cosmic Terrains” at Green-Wood Cemetery, 2022.
Photo by Lance Brewer. Courtesy of the artist and Matthew Brown
Heidi Lau, detail of ___ has questions for Moon’s reflection, 2021, in “Gardens as Cosmic Terrains” at Green-Wood Cemetery, 2022.
Photo by Lance Brewer. Courtesy of the artist and Matthew Brown
Heidi Lau
Perfume Vessel, 2022
Galerie Marguo
€12,000–€15,000
Heidi Lau, installation view of Creatures of the Unyielding Wind II, 2022, in “Gardens as Cosmic Terrains” at Green-Wood Cemetery, 2022.
Photo by Lance Brewer. Courtesy of the artist and Matthew Brown
marinatedclouds
Good Food, Solid Company, No Room for Wine(s), 2021
Hashimoto Contemporary
US$7,800
marinatedclouds, Family, Friends, Community and Unity: One Pot Feeds All, 2021. Courtesy of the artist
marinatedclouds, Plant Seeds Patiently, Nurture Dreams Softly, 2022. Courtesy of the artist
marinatedclouds, “teahouse of marinatedclouds,” 2021. Courtesy of the artist
Works made in 2020 by marinatedclouds. Courtesy of the artist
marinatedclouds, “Mom’s Home Cooking,” 2019–21. Courtesy of the artist